“There’s this potluck mentality of, What is it I can bring that we haven’t gotten to do here yet?” Exandria is so rich, engaging, beautiful and it’s had so much love poured into it,” he elaborates on the tall order ahead of him. “If you stacked up all nine Star Wars movies, that’s about a month and a half of Critical Role. “Coming into Calamity, this is a capital-T tragedy.”Įxandria’s expansiveness has been developing across seven years of campaigns, animated shows, comic books, and novels, a daunting task for anyone to step into. However, the commonality there was wanting to honor something.” Coming into Calamity, this is a capital-T tragedy. Truly the most shenanigans-heavy season we’ve ever done. “ A Starstruck Odyssey is like bozos in space: hot suns, hot guns. “The tone of these two things going back to back couldn’t be more different,” he says. As someone who’s been a GM a lot, I relish moments where I can be on the same side of a surprise as my players.”ĭimension 20 just wrapped its 13th season, A Starstruck Odyssey, which, like Calamity, involves Mulligan stepping into an established setting: the Starstruck universe created by Mulligan’s mother, Elaine Lee, and artist Michael Kaluta. It heightens drama in a lot of instances, and the dice can be your bad cop, delivering bad news for you,” he says. He’s also not afraid to name a Difficulty Class - the target number players must meet or exceed with their roll - when a player character would know immediately in-game whether they’ve succeeded or failed. One of the highlights of Dimension 20 that sets it apart from other series is the “ Box Of Doom,” a dice tray mounted with a camera, which is used for crucial die rolls by both players and the GM. On screen, Mulligan’s approach to GMing leans heavily into player and viewer transparency. He’s an expert world-builder, creating deep and textured settings that feel lived-in and distinct. As a serialized show, Dimension 20 takes viewers through imaginative worlds dreamed up by Mulligan and his players - from the John Hughes-inspired coming-of-age of Fantasy High to a Candy Land that would make George R.R. The series features regulars Emily Axford, Ally Beardsley, Brian Murphy, Zac Oyama, Siobhan Thompson, and Lou Wilson, as well as side quests with rotating GMs and casts including Aabria Iyengar and Erika Ishii. In 2018, Mulligan debuted as GM for CollegeHumor and Dropout’s actual play series, Dimension 20, which he’s helmed ever since. It was like watching a bald eagle take wing and go into the sky,” he beams. Matt found some that I had not even accounted for. “I wrote a big question where notice all the rule breaks in a couple comic panels of a D&D game. It was there, writing for the game show Um, Actually, where Mulligan first met Matthew Mercer. Mulligan is a Dungeons & Dragons lifer, crediting his early years as a GM as well as time at live-action role-play camp for developing his improvisation skills, which led him to Upright Citizens Brigade and later CollegeHumor. The goal? To learn more about what we can expect from the four-episode campaign premiering on Thursday, and to acquaint readers with the personality entrusted with one of Exandria’s most legendary events. Polygon recently sat down with the writer, world-builder, and forever-GM. For others, the brand-new Critical Role miniseries Exandria Unlimited: Calamity will be their first time seeing Mulligan in action behind the Dungeon Master’s screen. Many fans of Critical Role are likely familiar with Brennan Lee Mulligan’s work as game master for Dropout’s TTRPG actual play series Dimension 20.
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